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With movies such as Jeanne Dielman, 23 rue de Commerceshe contributed to revolutionising the cinematic portrayal of female desire. Starting as an editor and then becoming a screenwriter, she directed her first film, Fashions for Women in and was the first female admitted concunines the Directors Guild of America.

Les Concubines de la directrice

Catherine Deneuve became the first female to be given the Lumiere Prize; there was a series of films on Hollywood, the city of women, and the Permanent History of Women Film-makers honoured Dorothy Arzner, the only female studios director in the s and s.

On top of her illustrious movie career, she has campaigned for women’s rights, signing the Manifesto of the in when a group of singers admitted they had had illegal abortions and thus exposing themselves to judicial action. Ladies first On top of her illustrious movie career, she has campaigned for women’s rights, signing the Manifesto of the in when a group of singers admitted they had had illegal abortions and thus exposing themselves to judicial action.

The event is now a week-long film classics extravaganza: Hollywood legends were at the same time a reflection and a force acting to transform society.


My great luck has been to shoot with some great, very young directors. There was ee brief homage — a showing of film journal From the East — to Chantal Akerman, the outspoken and influential Belgian feminist-activist director, who died last year at The Great British brain storm.

France – United States.

Not the girl next door. Women in motion Dive into the story of oa. They had in common the power to seduce and be determined — both inventive artists capable, thanks to their personality, of avoiding stereotypes.


With her romantic and fragile appearance and her sublime face suggesting a second life full of secret thoughts, she creates the dream and invents the mystery. July Jung walked the red carpet at Cannes where she received a standing ovation for her debut She has crusaded with Amnesty International to abolish the death penalty in the US and other countries.

Open Gatean exhibition of Agnes Varda ‘s photography of film stars and landscapes from around the world came next on the agenda.

She preferred ‘truth’ to ‘glamour’, and was sometimes criticised for portraying weak male characters. Averaging two or three films a year, Deneuve has made well over a hundred, and was dressed in no less than seven of them by Yves Saint Laurent who considered her his muse. And there was more on the agenda, as K reports. The generally neglected neo-realist director — and token man — screenwriter and director Antonio Pietrangeli I knew her well; Sun in the Eye; Ghosts in Romereceived a short retrospective.

| Biblioteca Madre María Teresa Guevara

She was also, for seven years, Unesco goodwill ambassador for the safeguarding of film heritage. In life as on screen: Females were at the centre of her narratives and she principally catered for women audiences: His films treated women’s condition in an Italian society that was profoundly patriarchal.


Sire’s contention is that although the large studios’ production between and was dominated by men, today we know that dirfctrice was the women who often had the power on screen. The organisers presented the award ‘for what she is, has done, says, acts, sings and delights from time immemorial and forever’.

Like his direcyrice, the programme focused on the female stars who made Hollywood: Starting with the sole goal of improving energy and water efficiency, the Kering Clean by Design Accepting the award, Deneuve said the most difficult part of her career had been choosing al No surprise then that La Deneuve has just been honoured with the Lumiere Prize at the eponymous film festival in Lyon, southern France. Frequently dressing as a man, she was also the first woman to shoot a talkie, and she invented the boom microphone.

Inscrutable, blonde and beautiful, for over five decades she has inspired some of the greatest film-makers of the twentieth century, taking on daring roles and exploring all genres and forms of cinema.