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Each channel has a trio of identical controls in the shape of independent drive, tone ibajez level pots. I will finally get to see Steve live in Sacramento CA next month.
Jemini Distortion Manual –
I finally got around to buying the Jemini distortion pedal. My manual is in multiple languages as well. The finish is designed along the same visual lines as Vai’s signature UV Jem guitars. For example, bright consumes 49mA current, which basically makes the circular LEDs very bright for, well, bright gigging conditions.
Check em out if you happen to have those pedals too. Dave Weiners tone prints for each of those are way cool.
Pros That outlandish finish. You quickly notice a distinct difference between the two channels: This pedal is almost exclusively designed for Vai’s fans, guys who have the guitars, the amps and other ephemera associated with the man in question, or at the very least those who are beginning to get into the Vai sound.
I recently bought a couple TC Electronic pedals. Let us know how your experience went at the Sacramento show.
The drive control isn’t particularly interactive either as it seems to go from minimal drive and output to a slightly more satisfying grainy, heavy overdrive.
This is not for discussing guitars Steve’s or otherwise.
Ibanez JEMINI Distortion Manuals
Got to love technology these days. Me my two sons and some friends have secured tickets to the St. Its limited run appeal should not cloud its potential as it’s a very cool looking and sounding dual-channel distortion pedal mankal, while it takes up a fair bit of real estate on your board, may save on the cabling nonsense between two single stompers of the same creed.
Came without a manual. Save reduces the current to 23mA for darker stages, and saves battery power in so doing. To remedy the lack of cut and high-end, the tone control now steps in: Tried Ibanez two-weeks ago, and got no reply. Green Channel — Drive: Tonally it’s vaguely similar to an Ibanez TS9 Tube Screamer but has nowhere near the same presence or aggression an original TS9 has at its disposal.
This is the right-hand pedal, with all controls at 12 o’ clock:. It’s not for storing sounds or adding sparkle to the tone though – it controls the intensity of lights! It’s ibaanez harsher sound than channel one and with drive on full it has a more cutting rasp to the top-end. Channel two is a more face-melting and hair-raising affair.
I tried online, there was a PDF in multiple languages requiring a weird download which carried a virus. Somewhat surprisingly, this seems to be great for a no-frills grunge sound where a super defined drive tone is not the order of the day; just a big muddy note-texturing overdrive that works for thrashing out barre chords.
This channel, as with the first, finds its home or ‘sweet spot’ with plenty of gain from ibanes drive control and with the tone pushed for optimum presence and attack – this is where fans of Vai’s signature lead tone will have the most fun. Yet again with the tone rolled off the pedal gets dark very quickly, although with that the low end gets softer and more spongy in response.
Ibxnez pages in English ibxnez the cover and pages 3 and 4.
Ibanez Jemini Steve Vai Signature Distortion Pedal Discontinued
Anyone out there know where I might find one? Image 1 of 2 Each channel has drive, tone and level controls. All of these tones point to one man: Can change em on the fly in seconds. This is the right-hand pedal with the volume and tone at 12 o’ jemin and the drive at 3 o’ clock:. Shrouded in mystery, the highly anticipated, limited-run Jemini Distortion pedal has arrived.
A twin-stomper that’s had Jem forum-junkies clamouring for details ever since it was spotted at ‘s NAMM showone glance at the finish and signature reveals it to be the first Ibanez Steve Vai signature stompbox. Jemini Distortion Manual The kanual says it all!