Title, Music in the Renaissance. Author, Gustave Reese. Edition, revised. Publisher, Dent, Original from, University of Minnesota. Digitized, Feb 20, Music of France and the Low Countries in the Period. The Frottolists and their Contemporaries in Northern. 15 other sections not shown. Other editions. Music in the Renaissance / by Gustave Reese. Physical Description: xvii, p., 8 leaves of plaes: ill., facsims., music ; 24 cm. Locate a Print Version: Find in.
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For this study, the most fitting method has seemed to be one that might, with Browning in mind, be called the Ring and the Book technique.
As musc result, the same musical forms and processes of composition are treated several times, but each discussion is entered from a different approach and with the admixture of something individual—that is, national. If you originally registered with a username please use that to sign in.
He commissioned other people to contribute specialist sections to these books, such as Igor Buketoff ‘s piece on Russian chant in Music in the Middle Ages. Schirmer — and was also director of publication at Carl Fischer — Music in the Renaissance.
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Books by Gustave Reese. He was a founder-member of the American Musicological Society AMS fromserving as its first secretary — Indeed, such local productions as the 16th-century music of Spain and England provide artistic expressions quite in a class with the best music of France, Italy, bustave the Low Countries.
Music in the Renaissance | W. W. Norton & Company
To purchase short term access, please sign in to your Oxford Academic account above. He continued teaching there intermittently untiland he became Professor Emeritus in You do not currently have access to this article. Part I deals at renaissacne length with the central musical language of the 15th and 16th centuries, which was developed in France, Italy, and the Low Countries, while Part II deals muusic with the music of other lands.
Kelly added it Jan 02, Thereafter, the entire period is traversed again for each country dealt with in Part II.
Music in the Renaissance
Reese was married to Fine Arts administrator and cookbook author and editor Carol Truax from to He is also remarkable in that he lacked formal musicological training. Well a lot of reasons. Most users should sign in with their email address. Don’t already have an Oxford Academic account? This article is also available for rental through DeepDyve. Sign In Forgot password?
Retrieved from ” https: Return to Book Page. Perhaps some other time. More Books Music Music History. He is often perceived to have ‘raised the bar’ of musicological scholarship with his thorough research, intellectual rigour and comprehensive bibliographies.
Cart Support Signed in as: The method offers advantages not only to the one whose task it is to sort out a huge amount of varied material, but also to the one who studies it: Esteban rated it really liked it Oct 16, Jane Bretz added it May 23, Want to Read saving…. Garrett Cash marked it as to-read Dec 04, Gustavr University Press is a department of the University of Oxford.
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